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Tuesday, June 28, 2005
Ipswich gig
On Sunday I saw my first Delirious? gig in six months. Unfortunately the band haven't played in England since the Christmas Show in London last December, mainly due to other touring commitments and being in the studio to work on their new album. So anyway, having not seen them live in such a long time I was excited to see them again. For many fans six months isn't a long time between gigs, and I appreciate how fortunate I am to see them as often as I do - in the past few years I've averaged about 4 or 5 d: gigs a year, even seeing 6 d: concerts in 2002. So going half a year without a gig has seemed like a long time for me.

Arriving at Ipswich Town Football Stadium I found I had been lucky enough to have been given a seat in the directors box, an area of the stand where the directors sit during football matches. Getting there involved an interesting walk along the inner corridors of the stadium, past a door marked 'Board Room' and endless photographs of famous players from the past, as well as memorabelia about Sir Alf Ramsey the former Ipswich Town manager who also famously led England to World Cup victory in 1966. Feeling suitably educated in local football history, I went in search of my reserved seat. My ticket had a row and seat number, and as I stood there working out which seat was 'mine', I came to the conclusion that someone was already sitting in it.

From where I stood all I could tell about this person was that they were quite large, fairly old and wearing a black shirt. Not feeling like making a fuss, I sat in a nearby empty seat to take in the atmosphere. Some time later the person in 'my' seat happened to turn around to talk to someone else in the row behind him. It was at this point that I noitced the dog collar around his neck and the large heavy silver cross dangling around his chest. It turns out that this was the local Bishop, no less. Such a relief that I hadn't barged up to him and demanded he move from 'my' seat. The question "who does he think he is?" had been on my mind earlier... at least that question was answered now.

After a brief phone call I arranged to meet up with Jon. He led me down the 'players tunnel', which is the corridor between the football pitch and the players changing room, and in through a door marked 'Home Team' - the band's dressing room for the day. It was an extremely surreal thought that Premiership footballers used to get changed in this room (Ipswich were relegated from the 'Premiership' to the 'Championship' a year previously). Next door was the 'Away' changing room where players like David Beckham and Thierry Henry would have changed not too long ago.

I spent a few hours chatting with the band in the dressing room, asking them about the new album - which Martin tells me he is extremely excited about. "Better than World Service" was how he described it to me. The changing room itself was surprisingly basic. Just a large tiled room with a bench running along the wall on all sides, with hooks on the wall where the football shirts would be hung before a match. A door from the main room leads to another large tiled room containing about 6 individual baths. You often see pictures on TV about football changing rooms and all the baths they have for the players to use, but I'd always assumed that these would long since have been replaced by modern luxurious power showers. But sure enough, just as I'd seen on TV there was a row of very well used looking baths.
Delirious? in the bath!

There was a slightly bizzare moment when the band decided to do a 'mock photo' in these baths. Each of them jumped into their own bath, whipped off the shirt and got me to take a photo. The outcome was a highly amusing picture in which they each appear to be taking a leisurely bath (see above). There were childish squeals of delight at the resulting photo, followed by serious consideration about whether they could actually get away with using the photo without causing offence. Thankfully they came to the conslusion that people would see the funny side, so the photo made it to the frontpage of d.co.uk.
Delirious? pose for a photo in the tunnel

Finally it was time for Delirious? to head to the stage. They paused at the entrance to the tunnel for a scrap book photo (see above), before striding out across the pitch to the stage. The crowd instantly recgonised the 5 figures as they crossed the pitch and a huge cheer went up. For more about the concert itself, check out my review. I spent most of the gig moving between the side of the stage, and out front in the seats to get various different photo positions.
Delirious? on stage, as seen from the stand

Thankfully Dave the d: guitar Tech (very nice chap) didn't object to me getting in his way as he attempted to get Stu G's next guiar ready and I attempted to take a photo of Stu without the stage camerman getting in the way (see below, left). Later I managed to stand on Andy Hawthorne's feet as I scrambled around, he'd already made himself less than popular with the crowd after announcing from the stage that he was a Manchester United fan. Not the best thing to say to a crowd full of Ipswich supporters!
StuG close up Martin stands to attention

So, another d: concert came to an end. It always amazes me that the band never seem to tire of what they do. Every concert still seems to come with an ample dosage of energy and ability. Long may it last.
Monday, June 20, 2005
B-sides and Bonus tracks
The Ultimate Delirious? Song Poll is getting closer and closer to the big final now. Today marks the start of Round 8: 'The best b-side/bonus song'. There are eight songs to choose from and here is a small introduction to each song to remind you about them:

Absolutely Absolute - This song was written by StuG an incredible 10 years ago, back in 1995. It originally appeared on his solo album Have You Heard before making it's Delirious? debut as a b-side track on the band's first ever single White Ribbon Day in 1997.

American President - With it's slightly unorthodox lyrics, this hilarious song was recorded during the Audio Lessonover? sessions, but never made it on to the album. Instead it was held back and used as a b-side on the I Could Sing single in 2001. Explaining the song Martin recently said "It's just a bit of fun. It's a story about a kid in England growing up and dreaming that one day he's going to be President"

Come Like You Promise - Another track originally recorded for StuG's early solo album, this song quickly became part of the live Delirious? experience. It first appeared on Live & In The Can and then on D:Tour Live. It is also included on the Deeper album and as a b-side on both the 1997 Deeper Single and the 2000 Its OK Single. But amazingly, it was never part of any of the band's studio albums.

Making Art - This is, so far, the band's only attempt at a 'hidden track'. Appearing right at the end of the Audio Lessonover? album, this bonus song features StuG on lead vocals and is a strange, yet amusing, ending to the album. Whilst it could have been included in the Audio Lessonover? Poll, I felt it deserved it's place in the bonus tracks round.

Pursuit of Happiness - Another StuG written and performed masterpiece. This happy-go-lucky song first came to life on the 1999 Mezzamorphis UK Tour, accompanied by the most hilarious d: video to date. Shot in and around Littlehampton it features the band dressed up in sixties outfits, prancing around on a beach. It was later included as the b-side song on the Its OK single.

Not Forgotten - When the band decided to release a compilation of their best worship songs, titled Deeper, they decided to record a new track for inclusion. Not Forgotten has never appeared on any other CD, ironically making it one of the most forgotten d: songs ever.

Summer Of Love - In 1997 Delirious? released the Deeper EP, containing two brand new songs. Summer Of Love was recorded especially for that EP and contains some moving lyrics written after a time of sorrow. The song was hugely popular during the UK d:Tour of the same year and was included on the D:Tour Live album.

Touch - This is the other song that was recorded especially for the Deeper EP. It was then largely forgotten about until Delirious? re-recorded it in 2000 for a US compilation album titled Roaring Lambs. Before Audio Lessonover? was released in the USA, several changes were made to the album. Touch was included in the tracklisting, and the album was even renamed to Touch for it's 2002 release in the USA.


The previous round to select the best song on World Service was the closest yet. All week Inside Outside and Majesty had been neck and neck, holding nearly 50% of the votes between them. But in the end Majesty won by the smallest of margins, just 4 votes seperating it from second places Inside Outside.

So, the line-up for Round 9 is now complete. With several of the polls having been so close between two top songs, Round 9 gives each of the second placed songs one last chance to reach the final. Which ever song, of all the second placed songs so far, gets the most votes will win a wild-card entry into the final. So if your favourite song didn't quite make it to the final, all is not lost. Next week you get a chance to put it right. Here is the line-up for the Wild Card Round:

Lord You Have My Heart
Did You Feel The Mountains Tremble?
Deeper
Heaven
Investigate
Fire
Inside Outside


There are some pretty huge songs in that list, which as things stand won't be in with a chance to win the title of The Ultimate Delirious? Song. It's hard to imagine a final without Deeper or Mountains in. But maybe the new kid on the block, Inside Outside will pip them to a place in the final.

After that, the line-up for the Ultimate Delirious? Song - Final will be decided. So far the list of songs is pretty mouth watering:

I Could Sing Of Your Love Forever
Obsession
History Maker
Bliss
My Glorious
Take Me Away
Majesty
*B-Side winner*
*Wild-Card winner*


Start thinking how you're going to vote. Certainly for me, it won't be an easy choice.
Wednesday, June 01, 2005
More Glo-ing
Judging by the comments in the blog and on the forum, I'm not the only one rediscovering Glo at the moment. Since I wrote that previous blog entry I've continued listening to Glo on my car journeys and continued to be amazed that an album I thought I knew so well can still grab me and reveal new things to me. I've always thought that Hang On To You was my stand-out favourite song on the album, and whilst I'd probably still call that my favourite it suddenly seems to be a much closer call.

Something that isn't looking quite so close, is the current round of the Ultimate Delirious? Song Poll. Voting for the best song on Glo began yesterday, and My Glorious already has a strong lead over Investigate. After that it's much closer with about four songs all fairing similarly.

Before Glo was released, I remember rumours starting to emerge that the new album would be a return to their Cutting Edge style of worship music, rather than the more secular style of their previous album Mezzamorphis. Nothing much changes there, does it? Even now with a new album on the way people start asking if it will be mainstream or Christian targetted. But back then there was even talk that Glo might be called Cutting Edge 5. I remember being horrified at this thought and desperately hoping the band wouldn't take that route. I've always been very in favour of Delirious? trying to integrate themselves in the mainstream music scene and with Mezzamorphis they had really started making progress. So the thought of a diversion back to 'church music' (as some would call it), didn't seem like a great idea to me.

But when Glo arrived (and thank goodness they didn't call it CE5!) it proved that the band really did know what they were doing. It may not have been targetted at the secular world, but it was a stunning album and completely the right step in the Delirious? journey.

So, continuing with the album where I left off last time, My Glorious simply rocks like no other Delirious? song. You can just feel the force that Stew beats his drums with as you listen to it, and the bass tweaks stand out so cleanly and clearly. With Everything and Hang On To You following in quick succession, it truly is an amazing sequence of songs.

But it's the last two songs on Glo that have really surprised me. I listened to them again this morning, and realised what a massive song Jesus Blood is. The background is full of tweaks and bleeps and a stirring drum beat. Generally I'm not keen on choirs, but Delirious? have a habbit of putting them to good use (the rerecorded version of I Could Sing and Not Forgotten on the Deeper album are other good examples). In Jesus Blood the choir add an extra dimension to the chorus, allowing Martin to add extra vocals. I love the way he sings "Heaven is my home" over the choir.

Today I also found myself really interested in the lyrics to The Years Go By. It's such an autobiographical song, sung by a band who have seen it all over the years and still continue with a fire inside them.

Looking back across the years/We've had joy, we've had tears/Hand in hand we've run the race/Gratitude for your grace/Thank you every time you've led us through/Always you are the fire in me

The years go by and still I fly/On wings like eagle's/You take me high where angels cry/Glory forever!

Looking back we had a dream/History we will make/Let the broken let the strong/Live our lives as a song/Thank you you're the one who keeps it true


The words are so poignant. Over the years the band have had many times of joy and more than a few moments of tears. When Martin wrote those words he wouldn't have known that ahead of them lay times of sadness, such as the passing away of Jon's uncle who was a friend to them all. But it's the last verse that I especially like. It talks about how the band had a dream to make history living their lives through music. Who can deny they've done that? They've influenced probably millions of people around the world with their music, and still they fly.


delirious.org.uk is an unofficial fan site run by Dave Wood. For more information please contact info@delirious.org.uk. This site in no way reflects the opinions of Delirious?, Furious? Records or any other organisations referred to in these pages. Unless otherwise stated, all lyrics, audio and video are copyright Furious? Records. The copyright of all photography is owned by the photographer. No responsibility can be taken for the content of any third-party sites linked to within these pages.